Scene Study Intensive: Session 2
6-week Scene Study Intensive: “Gesture in Action”
Consecutive Mondays November 4 - December 9, 2024 from 7:00-10:00 PM
MiMoDa Studio (thru Paper Or Plastik Cafe), 5774 W. Pico Blvd. Los Angeles CA 90019
One scene. One partner. Six weeks of intensive work on Konstantin Stanislavski’s Active analysis.
The work is grounded in the belief that all acting is psychophysical and plays out at the intersection of the actor’s imagination and body. The class incorporates the methodologies of Konstantin Stanislavski, Michael Chekhov, Warren Robertson, and others. The focus is on releasing the actor’s fullest potential and creative individuality via the techniques of Playing Action, Psychological Gesture, and the rehearsal process of Active Analysis.
Tuition: $450 one time upfront payment before the first class only.
By Audition or Previous Students Only • Spaces are Limited
6-week Scene Study Intensive: “Gesture in Action”
Consecutive Mondays November 4 - December 9, 2024 from 7:00-10:00 PM
MiMoDa Studio (thru Paper Or Plastik Cafe), 5774 W. Pico Blvd. Los Angeles CA 90019
One scene. One partner. Six weeks of intensive work on Konstantin Stanislavski’s Active analysis.
The work is grounded in the belief that all acting is psychophysical and plays out at the intersection of the actor’s imagination and body. The class incorporates the methodologies of Konstantin Stanislavski, Michael Chekhov, Warren Robertson, and others. The focus is on releasing the actor’s fullest potential and creative individuality via the techniques of Playing Action, Psychological Gesture, and the rehearsal process of Active Analysis.
Tuition: $450 one time upfront payment before the first class only.
By Audition or Previous Students Only • Spaces are Limited
6-week Scene Study Intensive: “Gesture in Action”
Consecutive Mondays November 4 - December 9, 2024 from 7:00-10:00 PM
MiMoDa Studio (thru Paper Or Plastik Cafe), 5774 W. Pico Blvd. Los Angeles CA 90019
One scene. One partner. Six weeks of intensive work on Konstantin Stanislavski’s Active analysis.
The work is grounded in the belief that all acting is psychophysical and plays out at the intersection of the actor’s imagination and body. The class incorporates the methodologies of Konstantin Stanislavski, Michael Chekhov, Warren Robertson, and others. The focus is on releasing the actor’s fullest potential and creative individuality via the techniques of Playing Action, Psychological Gesture, and the rehearsal process of Active Analysis.
Tuition: $450 one time upfront payment before the first class only.
By Audition or Previous Students Only • Spaces are Limited